Sunday After Life

If it’s as true as rumored that the dead occupy planets in the far-reaches of our galaxy through celestial heavens so far misspoken of in literature and religious texts, then I have a deep need to master space travel.

 

 

 

 

 

 

 

If it’s as true as rumored that the dead occupy planets in the far-reaches of our galaxy through celestial heavens so far misspoken of in literature and religious texts, then I have a deep need to master space travel.

It’s not hotter than too hot yet I’m sitting in a shade drenched in humidity over 90 degrees while flies populate and breezy by.

The puppies are mud-ensconced in their kennel while I drink somewhat warm coffee and hallucinate desert hills, cool nights and more: cold drinks, night sky without bugs, music. Contentment.
Nobody else is outside on the afternoon lawns reminiscent of landing strips in Phoenix in summertime.

Wages are way below poverty level but the happy horseshit of not saying anything so they don’t find some other more desperate to only eat government cheese extends through the days and nights.

This might feel like I have time to write but that’s a lie: between hours occupied by kids and noise, recuperation of quiet, solitude to do is a matter of cannibalizing attitude making me indifferent to existence as it is though there might be some sentimental attachment to after-effects – if only because I can’t grasp a well-being sufficiently altered to express in my being a gratitude of joy I’ve known when a balance persisted due to my own efforts.

I do recall working and aiming for more than this; not settling, nor compromising. But not having complete enough control – i.e. enough cash – to weather imbalances meant it went sideways and down.
Not difficult to believe but to experience that without enough money you don’t get that sunny and smiling calm no matter what age even minus such extravagances such as choices in more than foods: there really are no extras without the moolah.

And if you reach this age absent friends and immediate relatives, you don’t even have the horizon any more.
Just a bunch of drooling, grey-headed, Alzheimered goobers more certain than ever of the righteousness of their opinions on everything. That’s where you’ve been relegated.
Shit, what’re you going to contribute? If anyone had been interested, this wouldn’t be occurring. And you don’t have the funds, the social grouping, nor the expectation you’ll dispense anything of value or interest.

No problem if you were always one of those who believed breathing was sufficient to occupy the earth and justify living – but if not, harder times without the hope of betterment in the face of a pervasive ignoramus standard of no one gives a shit, you’re not struggling against obvious dictators, you’ve had years… you’ve lived.

What’s truly odd though is: my thought that I once considered the fact that if you were intelligent enough to be aware of these things it meant you weren’t susceptible.
And that travelling to outer planets meant soul growth: that losing the life uncramped by lack of funds suggested there’d be other compensations.

That you’d remain whole, integral, and sufficient unto yourself.

And if not, you’d not experience such a protracted dying unattended by actual illnesses while supplying the impression of some quiet, and sometimes well-mannered, older person content enough to not have thoughts or feelings outside the realm of knowledge of those who merely live by illusions specific to themselves while enjoying every benefit cash conveys.

Where do you go after this? Cat food hors d’oeuvres?

Meow, motherfuckers.

©Dean Baker

 

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©Dean Baker

The Poet In Journals – St. Denys Garneau

One of my favorite books from ages ago, The Journal Of St. Denys Garneau which I discovered in a bargain bin at the Coles where Neil Young worked.
I had been frequenting the Champlain bookstore in Toronto, when I first saw a mention of him, picking up books in the European style or French style, uncut pages you had to razor open to read Marie Claire Blais, Anne Hébert(Garneau’s cousin), and others, etc. Which of course led to other readings of Hubert Aquin, Michel Tremblay, etc etc.

All their works were distinguishable from  but inseparable from others such as Marian Engel’s Bear, Miriam Waddington’s poems, Frank Scott’s certainly, or Monique Bosco’s Lot’s Wife.

Favorite because it fit right in with circumstances of thought, countryside and origin (I’d go to read it in solitude in a place near Ottawa, having visited my mother’s birthplace in Campbell’s Bay, Quebec), and the poetic disclosures. The discovery attached to slicing open pages, and translating – since the poems were in French – always felt fresh and new, and I could see what was missed in other translations though John Glassco’s comes closest.

Reminded me that favorites are often due to a time and place, as are poets whose popularity mysteriously decline upon their deaths; similar to the most popular novelists of decades or centuries past whom not many can even recall.

The book lasts for many reasons then, one of which would be the essential self, made bare without being mired in the spectacles which pass for a self these days, through literate and real details as is the case in many of his poems at whatever level they may be taken.

He was as much a denizen of my ‘neighborhood’ of spirits and souls as Shelley, Shakespeare, or reaching back, Archilochus, and Marcus Aurelius.

©Dean Baker

for National Poetry Month, April 2017 – Poetry & How It Gets That Way – Buy a Book

In the face of an ever diminishing interest in one of the oldest arts, poetry, this book serves as an introduction why that interest should be revived in schools and individuals: illustrating the loss that accrues by not doing so, and the benefits to society through a passionate involvement in the poetic arts. Poetry has been an essential art in history and is in danger of being trivialized into extinction. Several seminal events in recent literary history are detailed in illustrating how poetry is not merely an adjunct to history and culture but can elucidate, influence and in changing perspective alter those same events and deeds. Find out more in this treatise more sociologically descriptive than academically oriented.

“Invaluable teaching tool that makes poetry enjoyably accessible while making the art of poetry relevant to all our times and ages.”

Dean J. Baker is an author of more than 20 books. Composer, performer, and songwriter published in prestigious literary journals worldwide since 1973.

Born in Toronto, Canada, to a Ukrainian/Polish father and an Irish/Scottish mother. Attended the University of Guelph, and later won their book awards, along with several unsolicited Ontario Arts Council awards, best poems published in a year in literary journals, and The T.S. Eliot Society of Miami’s Calendar Poet award. Member of Socan (Society of Authors, Composers, Publishers) he has played guitar, bass, and piano in many bands and is writing more songs. Author of The Herald(2010), and Baker’s Bad Boys(2010), published by Mad Poet Press. His most recent works are Silence Louder Than A Train, The Mythologies Of Love, The Lost Neighborhood, an expanded and revised Baker’s Bad Boys(2014-satiric stories of childhood), Dark Earth, Of Flesh Sculptures And Abandoned Love, The Eschatological Dog, Measuring Gravity By Grace (Poems 1970-1980, Vol.1), Our Geographies (Poems 1970-1980, Vol.2), The Transits Of Revelation, Fat Albert’s Outpatient Folk Clinic, The Moon Worn Tides Vol. 1, Poetry & How It Gets That Way, In Riparian Fields, Tormenting The Monkey, Provenances And Paroles, Cousin Harold’s Adventures In The Real World, The Poetry Hotel, The Lost Canadian, Early Selected Poems, Vol. 1, The Lost Canadian, Poems Selected, Vol. 2., Blood Upon The Moon, Soliloquies Of The Horizons.

His awards include universities’ awards, along with several unsolicited Arts Council awards; best poems published in a year in literary journals, edited two books of Governor General’s Award winner Joe Rosenblatt, and The T.S. Eliot Society of Miami’s Calendar Poet award.

He has traveled solo through Canada, the USA, Ireland, England, Scotland, France, Germany, Italy, Greece. Dean J. Baker’s works show a highly disciplined, passionate and informed uniqueness. He brings to his craft a very widely read mind, fully intimate with all the great literature of the past along with a similar awareness of today’s writers.

https://ohcanaduh.wordpress.com/2017/02/28/my-books-poetry-humor-social-commentaries-critique/

“Dean is a combination of thought and torment that has made him write more than a baker’s dozen of fine poems.. he might produce a collection that could astound us all.” – Irving Layton, (“Canada’s greatest poet”-Leonard Cohen), nominated twice for the Nobel Prize for Literature. http://deanjbaker.wordpress.com/ https://www.amazon.com/Dean-J.-Baker/e/B00IC6PGQM

104 pages, $15.99

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©Dean J. Baker

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Alden Nowlan – Greatness in Poetry

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Alden Nowlan is one of those poets whom I never got to meet, and always wish I’d been able to do so.

I first saw one of his poems when I was in high school. And as with that poem, his other poems: they always evoke, a ‘yes!,’ about honesty and the truth of things. Always memorable. You’ll find them repeating themselves at the least expected moments.
The poem that first struck me was his ‘Aunt Jane.’

Aunt Jane

Aunt Jane, of whom I dreamed the nights it
thundered,
was dead at ninety, buried at a hundred.
We kept her corpse a decade, hid upstairs,
where it ate porridge, slept and said its prayers.

And every night before I went to bed
they took me in to worship with the dead.
Christ Lord, if I should die before I wake,
I pray thee Lord my body take.

 

©Alden Nowlan

Just to be sitting in your own world and to have 8 lines smack you awake out of the blue, away from your concerns and take you to revelation so quickly, so easily, and with such delight – amazing.

But Alden has many, many poems of the kind that do so – surprising in their humility, strength and understanding. His are the works you could carry in a small book with you and find sustaining every time you looked.
He covers history, patriotism, and more all in a beautiful way.

One other:

Canadian January Night

Ice storm: the hill
a pyramid of black crystal
down which the cars
slide like phosphorescent beetles
while I, walking backwards in obedience
to the wind, am possessed
of the fearful knowledge
my compatriots share
but almost never utter:
this is a country
where a man can die
simply from being
caught outside.

©Alden Nowlan

 

Brilliant work.

And from Alden Nowlan, Selected Poems

A Poem About Miracles

Why don’t records go blank
the instant the singer dies?
Oh, I know there are explanations,
but they don’t convince me.
I’m still surprised
when I hear the dead singing.
As for orchestras,
I expect the instruments
to fall silent one by one
as the musicians succumb
to cancer and heart disease
so that toward the end
I turn on a disc
labelled Götterdämmerung
and all that comes out
is the sound of one sick old man
scraping a shaky bow
across and out-of-tune fiddle.

 

©Alden Nowlan

These poems of Alden’s are a few of the good, and representative of his best. You need the book to even begin to get an awareness of his greatness.
Robert Frost may be more well known, but for me Alden wins the laurels.

© Dean J. Baker

all my books on salehttp://www.amazon.com/Dean-J.-Baker/e/B00IC6PGQM

https://deanjbaker.wordpress.com/links-to-my-books-in-print/

Patrick Lane, a great Canadian poet – and his poem, Legacies

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Patrick Lane, a great Canadian poet. In the tradition of Al Purdy, and Charles Bukowski for those who are unfamiliar with great Poetry. The designation I use – the Canadian part, anyway – to specify country of origin.

Of course as to great and to a degree greatly unremarked poets except or even including within the country of their origins I would have to also mention Kenneth Patchen, whose book The Journal Of Albion Moonlight is not strictly poetry yet is poetry at the core. Something along the lines of Louis Ferdinand Celine‘s Journey To The End Of The Night, or his great Death On The Installment Plan. A few books, along with Djuna Barne‘s Nightwood and a few of Anais Nin‘s, with Blaise Cendrar’s ought to be de rigeur reading ( especially so his Moravagine).

Now of course these have nothing directly to do with Patrick Lane, but they are indicative of what greatness inspires in the fact of a joyful association and the discoveries made along the way.

One of his poems from The Collected Poems of Patrick Lane

Legacies

I’m smoking one of his cigars tonight
after this one
there’s only one left
a pack of cigars
Remington shaver
swagger-stick from the First War
and nothing else
legacies from the old man.

Once in all his eighty years
I saw him – father of my father,
forbear
passing my father to me
in one sudden moment
of a prairie night
begat
begat

and I sit here and smoke his cigar tonight
while I clean his earthly hairs
from the razor
sit and smoked
sit and consume legacies

© Patrick Lane

  • and that is just the first page…

Aslo, you might take note of his memoir – What The Stones Remember: A Life Rediscovered of which a few comments are:

“To read this book is to enter a state of enchantment.”—Alice Munro

“Patrick Lane has written a memoir of heartbreaking struggle that manages to be beautiful and encouraging, finding anchorage in what was once called Creation, the natural world and its unstinting promise of renewal.”—Thomas McGuane

“A tough, lovely book.”—Margaret Atwood

So do look for his work, and enjoy a great Canadian poet. Patrick Lane. Take note that there is even a book where 55 poets celebrate his work: https://www.amazon.com/Because-You-Loved-Being-Stranger/dp/1550171011

© Dean J. Baker

all my books on salehttp://www.amazon.com/Dean-J.-Baker/e/B00IC6PGQM

https://deanjbaker.wordpress.com/links-to-my-books-in-print/