from Blood Upon The Moon… ‘America, Now’

Tormenting The Monkey

America, who are you trying to convince?
You have the smartest people in the world
enslaved to their experience, your propaganda
claims its own victims not in foreign lands alone, but here
in the minds and souls whose control you refuse
to forfeit for an ideal of power you no longer own.

This is the new world, again. The battle lines
define the country you set to waste like high school
adolescents or sport fanatics eager to establish
victory as a state of being. Cowards and bullies
of manufactured courage, you hobble the brave souls
who would tell you of your indulgent treason. Your
machine more important to you than jewels or real love.

America, you are deserted, vacant and empty
as a nuclear city, you have fuelled the lies, the
familiar hypocrisies like scarecrows thrown up
against the foreign demons, the barbarian horde.
They’re all Negroes, Catholics, you know…

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My Books, and Publishing….

I was fortunate enough to start having my work published in the early 1970’s.
I say fortunate since a lot of what I submitted was handwritten as I didn’t yet have a typewriter, though
once I started seeing a few checks my father decided to buy me a typewriter.

I saw my work published alongside Lawrence Durrell, which thrilled me as I was enthralled with the work of his friend Henry Miller with whom he was sharing a place in Pacific Palisades at the time; and due to the fact that I had decided to go to Corfu, Greece as soon as possible, though that would take a few years of shitty jobs to save enough.

A partial list of literary journals, university magazines, etc., can be found here. Literary Publications

I won several awards and unsolicited grants; for best work published in a literary journal during a particular year, etc.

Though I had associations/friendships with some of the greatest poets working in Canada, and the USA at the time, this did not result in any publication of a book. The first actual chapbook I had published was in 2010, The Herald, through Mad Poet Press.

Over the years I had accumulated thousands of poems, prose poems, prose pieces, and book reviews (having zero $ it was an easy enough way to get some books I wanted).
I began sifting through these in 2014 with an eye toward publication through self-publishing, all the while writing more; and sometimes more than I could keep up with, since I tended to scrawl a few lines, write entire poems in notebooks before typing them out.

I decided to use the CreateSpace platform, and with constant editing each month – 6 weeks from 2014-2016 – would further edit, thematically arrange, and trim down the contents of each new book, while creating the covers as well.

If you look here on Amazon, https://www.amazon.com/Dean-J.-Baker/e/B00IC6PGQM, you can see throughout the publication dates for the 20 + books I’ve published so far during that time beginning with 2014.

This has been accomplished without formal or professional literary associations, academic positions, so
obviously without the benefits of distribution and wider awareness that might be the outcome of such things. Plus, with money being tighter than the proverbial nun’s you-know-what I have yet to see most of the books in physical form, and thus haven’t been able to distribute copies for reviewers. Plus of all the poets professionally published who follow me and whom I follow on Twitter and Facebook, despite my constancy in paying attention to their postings, in two years only have 3 even clicked a ‘like’ three times on my multiple posts containing poetry.  There isn’t  even any informal ‘recognition of myself as a writer, or my work.
That isn’t to say that such practicalities won’t change.

Which would be very welcome since selling 2 books in the last 16 months or so bites ass, whether that makes me merely the persistent poet, or persistently deluded that the work deserves a greater audience.

©Dean Baker

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Sunday After Life

If it’s as true as rumored that the dead occupy planets in the far-reaches of our galaxy through celestial heavens so far misspoken of in literature and religious texts, then I have a deep need to master space travel.

 

 

 

 

 

 

 

If it’s as true as rumored that the dead occupy planets in the far-reaches of our galaxy through celestial heavens so far misspoken of in literature and religious texts, then I have a deep need to master space travel.

It’s not hotter than too hot yet I’m sitting in a shade drenched in humidity over 90 degrees while flies populate and breezy by.

The puppies are mud-ensconced in their kennel while I drink somewhat warm coffee and hallucinate desert hills, cool nights and more: cold drinks, night sky without bugs, music. Contentment.
Nobody else is outside on the afternoon lawns reminiscent of landing strips in Phoenix in summertime.

Wages are way below poverty level but the happy horseshit of not saying anything so they don’t find some other more desperate to only eat government cheese extends through the days and nights.

This might feel like I have time to write but that’s a lie: between hours occupied by kids and noise, recuperation of quiet, solitude to do is a matter of cannibalizing attitude making me indifferent to existence as it is though there might be some sentimental attachment to after-effects – if only because I can’t grasp a well-being sufficiently altered to express in my being a gratitude of joy I’ve known when a balance persisted due to my own efforts.

I do recall working and aiming for more than this; not settling, nor compromising. But not having complete enough control – i.e. enough cash – to weather imbalances meant it went sideways and down.
Not difficult to believe but to experience that without enough money you don’t get that sunny and smiling calm no matter what age even minus such extravagances such as choices in more than foods: there really are no extras without the moolah.

And if you reach this age absent friends and immediate relatives, you don’t even have the horizon any more.
Just a bunch of drooling, grey-headed, Alzheimered goobers more certain than ever of the righteousness of their opinions on everything. That’s where you’ve been relegated.
Shit, what’re you going to contribute? If anyone had been interested, this wouldn’t be occurring. And you don’t have the funds, the social grouping, nor the expectation you’ll dispense anything of value or interest.

No problem if you were always one of those who believed breathing was sufficient to occupy the earth and justify living – but if not, harder times without the hope of betterment in the face of a pervasive ignoramus standard of no one gives a shit, you’re not struggling against obvious dictators, you’ve had years… you’ve lived.

What’s truly odd though is: my thought that I once considered the fact that if you were intelligent enough to be aware of these things it meant you weren’t susceptible.
And that travelling to outer planets meant soul growth: that losing the life uncramped by lack of funds suggested there’d be other compensations.

That you’d remain whole, integral, and sufficient unto yourself.

And if not, you’d not experience such a protracted dying unattended by actual illnesses while supplying the impression of some quiet, and sometimes well-mannered, older person content enough to not have thoughts or feelings outside the realm of knowledge of those who merely live by illusions specific to themselves while enjoying every benefit cash conveys.

Where do you go after this? Cat food hors d’oeuvres?

Meow, motherfuckers.

©Dean Baker

 

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NEW BOOK PRICES – MAKING POETRY AFFORDABLE – FROM $9.99 TO $15.99

 

 

©Dean Baker

The Poet In Journals – St. Denys Garneau

One of my favorite books from ages ago, The Journal Of St. Denys Garneau which I discovered in a bargain bin at the Coles where Neil Young worked.
I had been frequenting the Champlain bookstore in Toronto, when I first saw a mention of him, picking up books in the European style or French style, uncut pages you had to razor open to read Marie Claire Blais, Anne Hébert(Garneau’s cousin), and others, etc. Which of course led to other readings of Hubert Aquin, Michel Tremblay, etc etc.

All their works were distinguishable from  but inseparable from others such as Marian Engel’s Bear, Miriam Waddington’s poems, Frank Scott’s certainly, or Monique Bosco’s Lot’s Wife.

Favorite because it fit right in with circumstances of thought, countryside and origin (I’d go to read it in solitude in a place near Ottawa, having visited my mother’s birthplace in Campbell’s Bay, Quebec), and the poetic disclosures. The discovery attached to slicing open pages, and translating – since the poems were in French – always felt fresh and new, and I could see what was missed in other translations though John Glassco’s comes closest.

Reminded me that favorites are often due to a time and place, as are poets whose popularity mysteriously decline upon their deaths; similar to the most popular novelists of decades or centuries past whom not many can even recall.

The book lasts for many reasons then, one of which would be the essential self, made bare without being mired in the spectacles which pass for a self these days, through literate and real details as is the case in many of his poems at whatever level they may be taken.

He was as much a denizen of my ‘neighborhood’ of spirits and souls as Shelley, Shakespeare, or reaching back, Archilochus, and Marcus Aurelius.

©Dean Baker

for National Poetry Month, April 2017 – Poetry & How It Gets That Way – Buy a Book

In the face of an ever diminishing interest in one of the oldest arts, poetry, this book serves as an introduction why that interest should be revived in schools and individuals: illustrating the loss that accrues by not doing so, and the benefits to society through a passionate involvement in the poetic arts. Poetry has been an essential art in history and is in danger of being trivialized into extinction. Several seminal events in recent literary history are detailed in illustrating how poetry is not merely an adjunct to history and culture but can elucidate, influence and in changing perspective alter those same events and deeds. Find out more in this treatise more sociologically descriptive than academically oriented.

“Invaluable teaching tool that makes poetry enjoyably accessible while making the art of poetry relevant to all our times and ages.”

Dean J. Baker is an author of more than 20 books. Composer, performer, and songwriter published in prestigious literary journals worldwide since 1973.

Born in Toronto, Canada, to a Ukrainian/Polish father and an Irish/Scottish mother. Attended the University of Guelph, and later won their book awards, along with several unsolicited Ontario Arts Council awards, best poems published in a year in literary journals, and The T.S. Eliot Society of Miami’s Calendar Poet award. Member of Socan (Society of Authors, Composers, Publishers) he has played guitar, bass, and piano in many bands and is writing more songs. Author of The Herald(2010), and Baker’s Bad Boys(2010), published by Mad Poet Press. His most recent works are Silence Louder Than A Train, The Mythologies Of Love, The Lost Neighborhood, an expanded and revised Baker’s Bad Boys(2014-satiric stories of childhood), Dark Earth, Of Flesh Sculptures And Abandoned Love, The Eschatological Dog, Measuring Gravity By Grace (Poems 1970-1980, Vol.1), Our Geographies (Poems 1970-1980, Vol.2), The Transits Of Revelation, Fat Albert’s Outpatient Folk Clinic, The Moon Worn Tides Vol. 1, Poetry & How It Gets That Way, In Riparian Fields, Tormenting The Monkey, Provenances And Paroles, Cousin Harold’s Adventures In The Real World, The Poetry Hotel, The Lost Canadian, Early Selected Poems, Vol. 1, The Lost Canadian, Poems Selected, Vol. 2., Blood Upon The Moon, Soliloquies Of The Horizons.

His awards include universities’ awards, along with several unsolicited Arts Council awards; best poems published in a year in literary journals, edited two books of Governor General’s Award winner Joe Rosenblatt, and The T.S. Eliot Society of Miami’s Calendar Poet award.

He has traveled solo through Canada, the USA, Ireland, England, Scotland, France, Germany, Italy, Greece. Dean J. Baker’s works show a highly disciplined, passionate and informed uniqueness. He brings to his craft a very widely read mind, fully intimate with all the great literature of the past along with a similar awareness of today’s writers.

https://ohcanaduh.wordpress.com/2017/02/28/my-books-poetry-humor-social-commentaries-critique/

“Dean is a combination of thought and torment that has made him write more than a baker’s dozen of fine poems.. he might produce a collection that could astound us all.” – Irving Layton, (“Canada’s greatest poet”-Leonard Cohen), nominated twice for the Nobel Prize for Literature. http://deanjbaker.wordpress.com/ https://www.amazon.com/Dean-J.-Baker/e/B00IC6PGQM

104 pages, $15.99

My Books In Print

My Poetry Ebooks

©Dean J. Baker

http://www.amazon.com/Dean-J.-Baker/e/B00IC6PGQM

For The Feminist Few – William Godwin, Mary Wollstonecraft, Mary Shelley, Percy Shelley: Father, Mother, Daughter, Poet

 

 godwin_

 

William Godwin, father of Mary Shelley, and husband to Mary Wollstonecraft, her mother, wrote a book which has influenced many great poets and writers, and ought to influence many more.

Not in the sense of being a treatise, or bible of belief, but as fertile ground for what is inspiring and true in the entirety of the book.

An Enquiry Concerning Political Justice was written in 1793, during the French Revolution.  “Its powerful critique of the institutions of government and support for individual liberty of judgement raises profound questions about the nature of our duty to others that is still relevant today.” – https://global.oup.com/academic/product/an-enquiry-concerning-political-justice-9780199642625

“No work gave such a blow to the philosophical mind of the country as the celebrated Enquiry … Tom Paine was considered for a time as Tom Fool to him, Paley an old woman, Edmund Burke a flashy sophist. Truth, moral truth, it was supposed had here taken up its abode; and these were the oracles of thought.” – William Hazlitt, Spirit Of The Age

This book served the poet Shelley his entire life, as well as Byron and many others following.

https://www.goodreads.com/work/quotes/2785985-enquiry-concerning-political-justice-and-its-influence-on-modern-morals

 

 

In 1792 Mary Wollstonecraft  wrote  wollstonecraft A Vindication Of The Rights Of Women (With Strictures On Political and Moral Subjects), of which there are many great quotes to be derived. Such as “If women be educated for dependence; that is, to act according to the will of another fallible being, and submit, right or wrong, to power, where are we to stop?”

http://www.bartleby.com/144/

 

 

 

 

 

 

Mary Shelley, with the benefit of inspiring suggestions from both Shelley and Byron, made her book maryshelley  Frankenstein; Or, The Modern Prometheus in 1818 when she was only 21.

All three of these books have a suggestive confluence together and apart; are revelatory for their own reasons, as such as was being created in those times when it may have been less difficult, or apparently so, for some great and unique literature to be created appears as obvious and transparent truths due not to the age but the authors’ abilities.

 

 

And all in a measure with one of the greats of poetry, Percy Bysshe Shelley, one of my most favorite poets ( along with John Donne, George Herbert, etc etc).

 

©Dean Baker

https://writingsofdeanbaker.wordpress.com/

all my books on salehttp://www.amazon.com/Dean-J.-Baker/e/B00IC6PGQM

 

<–Check this out: Poetry & How It Gets That Way updated!

also posted – https://ohcanaduh.wordpress.com/2017/01/29/the-herald-2/

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