I was fortunate enough to start having my work published in the early 1970’s.
I say fortunate since a lot of what I submitted was handwritten as I didn’t yet have a typewriter, though
once I started seeing a few checks my father decided to buy me a typewriter.
I saw my work published alongside Lawrence Durrell, which thrilled me as I was enthralled with the work of his friend Henry Miller with whom he was sharing a place in Pacific Palisades at the time; and due to the fact that I had decided to go to Corfu, Greece as soon as possible, though that would take a few years of shitty jobs to save enough.
A partial list of literary journals, university magazines, etc., can be found here. Literary Publications
I won several awards and unsolicited grants; for best work published in a literary journal during a particular year, etc.
Though I had associations/friendships with some of the greatest poets working in Canada, and the USA at the time, this did not result in any publication of a book. The first actual chapbook I had published was in 2010, The Herald, through Mad Poet Press.
Over the years I had accumulated thousands of poems, prose poems, prose pieces, and book reviews (having zero $ it was an easy enough way to get some books I wanted).
I began sifting through these in 2014 with an eye toward publication through self-publishing, all the while writing more; and sometimes more than I could keep up with, since I tended to scrawl a few lines, write entire poems in notebooks before typing them out.
I decided to use the CreateSpace platform, and with constant editing each month – 6 weeks from 2014-2016 – would further edit, thematically arrange, and trim down the contents of each new book, while creating the covers as well.
If you look here on Amazon, https://www.amazon.com/Dean-J.-Baker/e/B00IC6PGQM, you can see throughout the publication dates for the 20 + books I’ve published so far during that time beginning with 2014.
This has been accomplished without formal or professional literary associations, academic positions, so
obviously without the benefits of distribution and wider awareness that might be the outcome of such things. Plus, with money being tighter than the proverbial nun’s you-know-what I have yet to see most of the books in physical form, and thus haven’t been able to distribute copies for reviewers. Plus of all the poets professionally published who follow me and whom I follow on Twitter and Facebook, despite my constancy in paying attention to their postings, in two years only have 3 even clicked a ‘like’ three times on my multiple posts containing poetry. There isn’t even any informal ‘recognition of myself as a writer, or my work.
That isn’t to say that such practicalities won’t change.
Which would be very welcome since selling 2 books in the last 16 months or so bites ass, whether that makes me merely the persistent poet, or persistently deluded that the work deserves a greater audience.